For our recent Portrait and Identity brief, I chose to look at Francis Bacon's portraits, and generally work towards something abstract, maybe so abstract that only I knew what was actually being represented. These pieces were a part of this process.
I had drawn directly into wet plaster with the intention of making as many marks as possible, but keeping a certain image in mind: my take on a Francis Bacon Portrait.
When the plaster moulds were dry enough, I then filled the moulds with a smashed glass and coloured frits (deer brown, aqua and cobalt blue).
In parts I also added some copper and brass wire, following the lines I had drawn into the plaster, and trying to keep the original images in tact .
To add some rigidity I also placed some larger pieces of glass on the top and fired them like this.
The Result!
I was totally unsure of how the pieces would actually turn out and whether the would actually hold together after the firing... but they did! I am really pleased with the result of these pieces, love the colours and the way they catch the light. This one is my personal favourite...
and here are a few close ups...
I also turned the pieces around and surprisingly they work this way too. The colours are much more subtle and I think they give a really nice effect.
Also, I love how the original image is not immediately evident.. the distinguishable facial features have been distorted so much during the process that they are no longer present.
wow these are so good x x x x x x x x x x x x xx
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